Image by Adam Thomas
So you're coming along to Boho's Word Play this month, or you're interested in checking it out. Great! Now, how do you go about taking part in an interactive live cinema video-game performance? The answer is, it is as basic as can be. In three steps:1. BUY TICKETSTickets are $20. You can EITHER buy them in advance or buy them at the door. We'd love it if you booked in advance, but there's nothing stopping you from rocking up with a fistful of dollars on the night. To book online, visit Trybooking.2. COME TO THE CSIRO DISCOVERY CENTREThe CSIRO Discovery Centre is part of the CSIRO Black Mountain laboratories. There's parking around the centre, and once you arrive, you'll come to a walkway that leads you into the space.View Larger MapThe show starts at 7.30pm and runs for approximately 70 minutes. Performances are Wednesday - Saturday from 15 May - 1 June.3. BRING YOUR PHONEIf you don't have a smartphone, you'll be given a number which you can SMS to interact with the show. If you DO have a smartphone, you'll be able to download the purpose-built app to control Word Play, compatible with iOS and Android (we're a multi-platform theatre company). If you'd like to download the app beforehand, you're welcome to - just search the App Store or Google Play for "Word Play 2013". The app is 1.5mb and free. The app will run on iPhones, iPads and Android devices.If you don't get to it beforehand, you'll be able to download the app when you get to the show. When you arrive to buy / collect your ticket, the people at the desk will advise you how to get on to the Centre's wifi network and how to download the app.And then? Then it is ON.
Image by Adam Thomas
So we're now one week out from opening, and I dropped into the laboratory / performance space to have a look at the bump-in. Jack, Mick and designer Gillian Schwab were working away, and everything is coming together in a sort of terrifying order. Looking around at the extraordinary array of equipment, I thought it'd be a good idea to have a chat about how all this stuff works in practice - what are all the different parts of the Word Play machine and how do they fit together?1. Performers are filmedFirst of all, the audience are in one space (the CSIRO Discovery lecture theatre) and the performers are next door to NASA in the Yarralumla Forestry Labs, performing live on camera. The show uses about eight cameras - action-cams mounted on performers, security cameras that operate over a network, more traditional handicams. As well as that there's an array of prerecorded video and information slides.2. Video is mixed and streamed to the internetAll of these video sources are brought into a controller computer in the Yarralumla labs and director Marisa Martin (with the assistance of an operator) decides which camera is sent through to the live feed and when. There are a selection of visual overlays (maps, diagrams and so forth) which are added to the vision at certain points. Throughout the show, Marisa is live video-mixing (literally calling the shots) based on what's been rehearsed, with some room for improvisation.
3. Video footage is received and audio overlaidIn the biobox of the Discovery lecture theatre where the audience, Jack and Mick receiving the feed from the Yarralumla space over the internet. (This is a nice touch as it means that the show can technically be linked in to from anywhere in the world.) At this point, Mick is mixing the sound effects and his original score into the feed. Jack is in charge of synching up the instructions for the audience, which appear on a second projector screen in the theatre, as well as appearing on the audience's phone app. These intructions inform the audience how and when to interact with the performance.4. Audience interact via phonesThe audience send SMSes using their phones OR they use the purpose-built app (which you can download upon arrival at the show) to enter different kinds of input: text questions, votes and sometimes a joystick controller.5. Audience input transmitted to DirectorMarisa receives the audience input on a separate controller computer which collates the votes automatically. She can choose from the different submitted questions and select which to pass on to the actors and when.6. Director communicates with performersMarisa calls through the instructions to the actors, who are each fitted with a radio receiver and earpiece.7. Performers respondThe actors have rehearsed a wide variety of scenarios responding to different audience decisions. Sometimes, though, the audience will give them something totally unexpected and they'll be improvising something new.
For anyone who skipped to the end of all that, the short summary is: There's a lot going on in this show. Now come along and 
Something is wrong.In the last few months, a new disease has emerged that is transmitted not by water, by air, by contact – but by speech. Language. Via text messaging and email, telephone or video.This disease attacks thought itself, undermining our ability to think critically and resist other people’s influence. This is an epidemic of harmful ideas and broken logic. And it’s spreading. Whole communities of people, highly contagious, wandering about, unable to talk, unable to take care of themselves, looking for things to believe in.Don’t believe everything you hear.---------------------------------------------------------------------------------------------------------------------------------------------------Boho’s new show Word Play is performed on-screen from across the city. The audience are situated in the CSIRO Discovery Centre lecture theatre, while the performers are live-streamed from a laboratory across the city using a high-speed video broadband connection.Using text messages and a purpose-built phone app, the audience are able to interact directly with the performance, communicating with the performers and controlling them through a series of live computer game sequences.Word Play is a performance lecture exploring concepts from epidemiology, a live cinema experience and a hands-on video game in the survival horror genre.Bring your phone.Where: CSIRO Discovery Centre, Clunies Ross street, ActonWhen: 7:30pm Wednesday – Saturday 15-18 May, 22-25 May, 29 May-1 JuneTickets: $20 – 
David: Why did you decide to go with smartphone interactivity for this show?Jack: Everyone has a phone. It's an interactive device that's hugely powerful, that everyone knows how to use, and that fit really nicely within the world of the play.Mick: The whole show is operable by SMS, with the intention that the play is accessible to as many people as possible, regardless of the handset they own.Jack: But we have a good relationship with a local iOS developer, 
David: What impact does this have on the characters and the show?Jack: We use interactivity to give an audience the opportunity to explore the work from the direction that they're interested in. They can ask us things directly about the world we're presenting, or vote to hear about one thing or another, or even pilot actors around the space. This is hopefully all part of a richer experience for the audience - it adds a liveness and an immediacy to the performance when you know that what the character does next is wholly dependent on your input.David: How do you think this will feel for the audience?Mick: Hopefully it's an intuitive experience for them. It's an unusual format to view a show in, to be sitting in one place and to see it all unfold on the screen, performed in a totally different building, but the interactivity with the audience is crucial - it's really the difference between a live performance and what may as well be prerecorded film. The interactivity makes it theatre again.Jack: I think that when the audience are all huddled together in the darkened theatre, sitting amongst a sea of bottom-lit faces and doing what they can to keep our characters alive, I reckon it's going to feel pretty damn special.Where: CSIRO Discovery Centre, Clunies Ross street, ActonWhen: 7:30pm Wednesday – Saturday 15-18 May, 22-25 May, 29 May-1 JuneTickets: $20 – 
Boho Interactive has been creating interactive theatre since 2006, but the company's new show brings a whole new element into the picture. Word Play is a 'live cinema' experience, which means that the show is performed live in one location and streamed via high-speed video broadband to the audience, in a totally different location.This is not just an exercise in videoconferencing, however. Rather than a static shot of three performers in a room performing to a fixed camera, the show is more like a movie which is being performed, filmed, edited and screened in realtime. The actors will switch between performing and filming, and the vision will switch between a huge array of cameras as the performance moves through a series of disused CSIRO laboratories.Add to that the fact that the audience will be interacting live with the performers via mobile phone, asking questions, making decisions and in some instances directly controlling the performers in live video-game sequences, and the result is a genuine hybrid of film, theatre and video gaming.A 'live cinema' work demands a very different approach to making a work of theatre, and so Boho is excited to welcome filmmaker 
I asked Marisa a few questions about her previous work, and about the challenges of creating a live interactive film experience.David: Word Play is the story of a disease that infects language and ideas, and the consequences of a widespread outbreak. I believe you've touched on similar themes in some of your previous work?Marisa: That's right - One If By Will was a short film I made in 2006 set in a post-apocalyptic society where people were afraid to communicate with one another. It asked the question 'What happens when people stop talking?' Within that world it was the story of a couple, and how quickly relationships erode, dissolve and disintegrate when communication breaks down.David: What are the biggest differences in creating a work on screen versus live on a stage?Marisa: One difference is that in theatre there's a much stronger focus on actors, whereas in film I find the focus is much more on the production team. In theatre it comes down to the actors on stage to make it work - they can't just say 'can we do that again?' In film there's a greater focus on the camera and the design. With Word Play, both of those elements are critical and pretty inseparable.One thing that film can do that theatre can't is to invite the audience to focus on particular things, because we can use the camera to direct what the audience sees. In the theatre it's always a wide shot. With Word Play I'm going to mix up the vision - we'll use wide shots, mid-shots, close-ups, point-of-view shots.It also means that we'll be able to play on nuance much more - when the performer's face is as big as the screen, you can do more with less.David: How will the performers respond to the questions, decisions and instructions made by the audience?Marisa: A lot of that will be filtered through me so that's something different to film and TV again because I will be in their ear. I can tell them to tone it down, to move their head because the camera's not in the right spot. It's going to be a different challenge for them. And the second half of the play is going to be nuts - the show becomes a survival horror game.For me it will be like live TV. For them it will be like a mixture of theatre and film-making. For the audience it will be the most unusual experience ever. It will be the unique.Where: CSIRO Discovery Centre, Clunies Ross street, ActonWhen: 7:30pm Wednesday – Saturday 15-18 May, 22-25 May, 29 May-1 JuneTickets: $20 – 